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・ Edward S. Zelazo
・ Edward Saatchi
・ Edward Sabine
・ Edward Sacheverell Chandos-Pole
・ Edward Sackville
・ Edward Sackville, 4th Earl of Dorset
・ Edward Sackville-West, 5th Baron Sackville
・ Edward Sadlowski
・ Edward Sadomba
・ Edward Saeger House
・ Edward Sagarin
・ Edward Sagendorph Mason
・ Edward Said
・ Edward Said bibliography
・ Edward Sainsbury
Edward Saker
・ Edward Salia
・ Edward Salim Michael
・ Edward Salisbury Dana
・ Edward Salisbury Field
・ Edward Salmon
・ Edward Salomon
・ Edward Salomons
・ Edward Salt
・ Edward Salter
・ Edward Salwey
・ Edward Salyer House
・ Edward Sam M'boma
・ Edward Sampson
・ Edward Samuel Corwin


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Edward Saker : ウィキペディア英語版
Edward Saker
Edward Sloman Saker (30 September 1838 – 29 March 1883) was a British actor-manager.
==Life==
Saker was born in Bethnal Green in London, son of William Saker, a well-known low comedian at London minor theatres and later a tobacconist and news-vendor.〔
He was placed with a firm of architects, but early showed a strong taste for a theatrical career, which he adopted when about twenty-five years of age.

In 1857 he joined a theatre company in Edinburgh, then under the management of Robert Henry Wyndham, his brother-in-law. He learnt his profession here, and soon became a useful member of the company; he was also treasurer of the company for several years. He made a tour in Scotland with Henry Irving, when the latter played Robert Macaire (in Charles Selby's play of that name) to Saker's Jacques Strop. With Lionel Brough he also gave an entertainment, under the name of ''The So-Amuse Twins''.
He first attempted management during a summer season in 1862, when he rented the Edinburgh Royal from Wyndham, and opened with ''The Lady of the Lake''. In 1865 he moved to Liverpool, and after two years there as an actor he became manager of the Alexandra Theatre in December 1867, and remained as manager until his death on 29 March 1883.
As an actor Saker was most successful in parts requiring drollery and facial expression. His Shakespearean clowns were notable examples of low-comedy acting. However, he made his chief reputation as a manager. His period of management at the Alexandra, Liverpool, was rendered notable by a series of revivals of Shakespearean plays, including ''The Winter's Tale'', ''Much Ado about Nothing'', ''A Midsummer Night's Dream'' and ''The Comedy of Errors'' In all his undertakings he was ably assisted by his wife, who survived him.

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